Hero images and text on chapter openings align to the foot margin rather than the head—reflecting the humble nature of Lewerentz' later works while creating an architectural figure rising from the ground.

Images and text align to separate grids, maximizing both the quality of image reproduction and the readability of the text, while also leaving adequate space for folios, notes, etc.

Notes are placed in the outer margins next to the relevant references in the text. They comprise both textual citations and image references—a nod to Lewerentz' predilection for speaking through his work rather than writing.

Names of all collaborators appear on the back cover. The typography of the cover aligns to the same 4mm module that governs the entire book.

The book's layout is based upon an approach to proportion that is apparent throughout much of Lewerentz' architecture.